(While many users won't need more than 10 video tracks, audio track completely different. Vegas Pro 10 supports unlimited video and unlimited audio tracks, which is a huge leap up from Movie Studio's limit of 10 video and 10 audio. (Don't worry, it's very easy to change.) A major upgrade from the Movie Studio line is the number of tracks. Vegas Pro's track layout is quite simple as well, though you may be taken aback at first by the audio tracks up top video on the bottom default. Importing clips is as simple as finding them in explorer and dragging them to the timeline, if you're the kind of person who wants to cut your clips BEFORE adding them to the timeline, there's a great editor for that as well. If you want a clip to be shorter, you drag it shorter, if you want it to be in slow motion, you hold control and drag it longer, these things may not sound like a big deal, but once you get into the editing flow, I can say without a shadow of a doubt that there is no other editing program that feels as natural as Vegas Pro. Every editing program has specific things that are the same, and much of your time when first digging into Vegas Pro is spent sussing out where these things are. Even reading through the manual won't get you started as quickly as digging in and searching things out. Vegas audio mixing console is very powerful.Īny user of Final Cut Pro or Adobe Premiere will know that there's always a steep learning curve when you jump in. Now in its 10th incarnation, let's see what the once humble editing suite designed by sound editors has for us. Every time a version of Vegas Pro rolled off the assembly line it was more polished and refined than the last. I edited my feature directorial debut White Out on it, following that up with several high definition shorts. I've used the Vegas Pro program since 2006, starting with version 5. Adobe's Premiere Pro might've been largely forgotten in the mix, if Adobe hadn't started giving away so much of their other software along with it in their Production Premium bundles and then finally cross-platformed the franchise.įor folks who want a more traditional video editor look, you can customize Vegas Pro radically.īut there's one climbing up the rear, a lean and mean tough competitor that is, for my money, right on par with its far more well known variants. Hell, Fincher edited The Social Network on Final Cut Pro. Right now that bias is towards Final Cut Pro, which is rapidly replacing Avid as THE go to digital editing system. The first step is admitting there's a bias. I'm having a tremendous sense of Déjà vu, because it wasn't that long ago that I was talking about the tremendously affordable Vegas Movie Studio 10, and how it was so much like its big brother Vegas Pro 10, you might just go ahead and get Movie Studio, now here I am reviewing Vegas Pro 10, and it's so close you might not even realize you're using something different.
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